The possibilities of developing the sense of movement in a sculpture are inherent in the material and in the technique, that is to say, forming, bending, stretching, cutting, and twisting metal parts. I like to suggest movement or give an impression of movement.
I like working with my hands, making things and holding things. As a sculptor, I talk about using your head, your heart, and your hands—you think about things, you feel things, and then you use your hands to try to represent what that is, in some material.